The Benefits of Using Reedsy for Editors and Writers

I know many writers are familiar with Reedsy, but I also know many are not, and so I just wanted to take some time to tell you about my experience working on this platform. It differs from other freelancing platforms like Fiverr and Upwork in that it’s exclusively for the creative industry; everyone who’s there, whether a client or a service provider, understands each other and the challenges of the industry.

When I joined Reedsy, I started out writing short stories for their weekly contests. Later, I was asked to be a judge in the contests (of course I didn’t enter those ones!). Eventually, once my editorial business was well underway, I was able to join the team of professional editors that offer services through Reedsy. And what a game-changer it was! I’ve since helped hundreds of clients with their manuscript edits, assessments, and query material reviews.

The platform is, in my experience, well-run and maintained. Staff are friendly, helpful, and prompt with their replies. They’re a mere message or email away, and they’re knowledgeable and have assisted with every question I’ve had. There are hundreds, if not thousands of trusted, vetted editors and other industry professionals that can help writers and other creators with taking their work to the next level. It took me a while to become vetted, and that’s because they have high standards for the people that offer work. And rightly so! Creators are paying good money, so they want to be able to trust who they’re working with. And from a freelancer perspective, Reedsy doesn’t withhold funds from service providers like Fiverr does, so this way, I can receive funds immediately when someone books (which is fantastic, as editors generally require a 50% booking fee or deposit paid up front to secure the booking). The booking system is also set up to allow for bookings several months out, whereas Fiverr does not have this capability.

I specialize in editing, so I offer a wide range of services from structural/developmental edits to line/copy edits to proofreading to query package reviews and manuscript assessments. I’ve met so many wonderful and talented clients through Reedsy! And I work with folks in all kinds of stages of their manuscripts. I like that both sides can come to a common platform, connect, and collaborate. The website is user-friendly; it’s easy to search for suitable editors/industry pros and put in requests, and equally as easy for me to respond to them. We discuss the client’s needs and expectations, what I can offer, and once they decide to work with me, the offer is accepted. If we’re not a good fit, that’s ok–we move on, no hard feelings. It’s important to ensure you jive together, and Reedsy is set up to allow for that before booking happens. On other platforms, people can book without even contacting you first.

I like that the payment system is set up through Reedsy; I think it adds a layer of protection both for the client and for the service provider. Some other platforms charge an arm and a leg to advertise and offer services, which is quite costly. Reedsy offers a better platform in so many ways–and charges less by splitting their fees between the client and the service provider, so that everyone who is benefitting from the platform is helping the keep it running. Projects are adjustable as long as the projected completion date hasn’t passed, and even if it does and a client needs more time to complete their revisions, for example, then it’s no problem–we can still connect and share files through the messaging system. There’s a rate and review system in place, so I’ve received some wonderful reviews and testimonials from some fabulous clients. It’s easy to work with a client again if you liked working together. And I do have repeat clients from Reedsy, which is wonderful!

Since joining and becoming a successful Reedsy editor, I was asked to participate in a one-day virtual Reedsy conference as a literary agent (yes, I’m one of those, too!), which was really cool to do. I sat on a panel to answer audience questions and I also taught a course on crafting queries. The platform is quite community-oriented with events and a blog with tons of helpful answers to questions (which I’ve also contributed to).

Overall, Reedsy is a convenient, secure platform that offers all kinds of services for all kinds of creators. It’s helped me grow my business in a big way as an editor, and it’s so exciting to see some of the projects I’ve been working on get published! I genuinely love working with my clients to help them elevate their stories and learn more about the craft, arming them with knowledge and insights that can help them not just with their current manuscripts, but subsequent ones, too.

So, if you’re a writer looking for an editor (or other industry pro), I highly recommend checking out Reedsy to connect with a service provider. (Check out my profile here!)

And if you’re a freelancer who already has at least five books under your belt that have been published (which is part of the vetting requirements), try Reedsy! It’s a great place to connect with hundreds of thousands of people looking for the creative services you offer! You can click this link to learn more and sign up. They have a freelancer referral program, so if you click and sign up, we both get $100 as soon as you start your first collaboration. And no, there’s no membership fee required!

Exciting Updates!


September has been a very good month! In the spring, I was talking to the CEO of Rising Action Publishing Collective (Alexandria Brown). I featured her in a Q&A session on my podcast, and we got to talking about editing. That turned into talking to the COO, Tina Beier, and eventually, it led to me becoming the contract proofreader at Rising Action! Although I don’t officially start until January, I’m SO EXCITED to be coming on board and cannot wait to be a part of bringing their incredible books into the world! Don’t worry, though—I’m still providing freelance editing services for private clients! If you’re interested in seeing all the amazing things they’re doing, reading their clients’ books, or finding out more about submitting to them, head over to their website here. (That’s me, on their team page!)


Recently, I completed line/copy edits for a client I was really excited to connect with. E. Denise Billups is an indie author who writes paranormal thrillers, and I was first introduced to her when I was doing book tours with Henry Roi PR. I read and LOVED Keepers of the Gate: Twilight Ends Book One. Her beautiful, vivid descriptions and hauntingly beautiful lines drew me right in. I then read and reviewed the first book in her Simone Doucet series, Tainted Harvest. In the spring, Denise contacted me about becoming her editor and asked if I would be available to edit the next book in the Simone Doucet series: Wicked Bleu. I was so honoured and absolutely thrilled. She just sent the manuscript to her publisher and I can’t wait for it to launch! If you enjoy paranormal mysteries and gorgeous, voice-y language, check out Denise’s website at www.edenisebillups.com. Thank you, Denise, for trusting me with your work!


I’ve recently begun providing free pitch critiques on my podcast (#badasswriters). If you’re planning on pitching your manuscript in a Twitter pitch event (like #MoodPitch!), consider submitting your pitch for critique on the show. It’s a great way to get some feedback and it also helps others learn, too. You can find the form here.


One thing I love about writing and editing is BRAINSTORMING. I get to put my creative thinking hat on and come up with ideas and my pen goes wild on the page. I’m a big proponent of “there are no dumb ideas,” so I write everything down because each thought, no matter how silly it may seem at first, can lead to something better. I do this for words, scenes, chapters, sections, and entire plots. I do this for characters. I do it for names, titles, loglines, book blurbs, short stories, beginnings, endings, and middles. What’s super fun is when I get to brainstorm with my clients! I offer 30-min and 60-min single and ongoing brainstorming sessions, which is a great way to get some developmental assistance when you’re feeling stuck on something. They can be done via Zoom meetings or chat. Contact me if you’re interested in booking a session (or a few!).


The summer was more ridiculous than it usually is, and with Covid hitting our house, a lot of plans were changed/delayed/cancelled. This meant I had a lot of things to catch up on in September, so it was an extremely busy month. At the end of September, just this past weekend, I attended the virtual writing retreat organized and hosted by the lovely ladies behind The Shit No One Tells You About Writing podcast. I edit audio episodes for them and even though it’s very behind the scenes, it’s an honour and a joy to get to “work” with Bianca, Cece, and Carly. I can’t recommend their podcast enough. This was the second writing retreat they’d done, and it was absolutely, mind-blowingly incredible. I highly recommend attending the next one (TBA)! In the meantime, all three talented women offer courses in various areas of writing. Also highly recommended!

Anyway, with everything being so crazy busy, I haven’t yet had a chance to get my first webinar up and running. I’ll be working on that this fall, so please stay tuned for details. I can’t wait to get it all ready!


#MoodPitch is fast approaching! If you’re a querying writer, you don’t want to miss out on this fun event! Thursday, November 3 from 8am-8pm is when it’s happening—but there are also six days of #PreMoodPitch activities on Twitter that will help you prepare your pitches and moodboards. More details can be found on our website at www.moodpitch.org. The best way to stay updated is by following us on Twitter at @moodpitchers and clicking the little notification bell at the top of our page. That way, you won’t miss out on any updates! We just sent out our invitation email to the masses (agents and publishers everywhere) and are getting replies already. Confirmed agents and publishers are being updated as we go on our Event Guidelines section of the website, so check back often to see who’s going to be perusing your pitches. Remember: not all agents and publishers confirm participation. Sometimes they float around without letting anyone know, so you never know who might see them! We can’t wait to get this second event underway. The first one in April was a huge success!


That’s all the updates I have for now! I’m hoping to keep my blog a little more regular, offering editing and writing advice for those who are writing fiction stories. Let me know if there’s anything in particular you’d like to know more about!

Signing off for now,